Duffy and the Devil

In the period between Christmas and Twelfth Night, there is a tradition in Cornwall of Guise-Dances and Guise-Plays. My favourite perhaps is that of Duffy and the Devil; a Rumplestiltskin type story set in the landscape surrounding my cottage in the area of St Buryan and Lamorna. Within this story we find witches’ meetings, Boleigh Fogou, and the Devil – Buccaboo (Bucca Dhu) or ‘The Old One’. We pick up the story here with Old Bet, the witch of the mill, making her way to meet with her coven and the Devil;

When nearly dark and a few stars glimmered, Betty turned the water from the mill-wheel and closed the flushet. Then, having donned her steeple-crowned hat and red cloak, she fastened the jack of beer to one end of a “giss” (hempen girth), and her “crowd” to the other, slung them across her shoulder, under her cloak, took a black-thorn stick, closed her door, and away she went over the hill. She went up the “Bottom” (glen) between Trove and Boleigh, till she passed the Fuggo Hole, and there, amongst the thickets, she disappeared! All this Bottom was well-wooded, and the upper part thickly covered with hazel, thorn, and elder; and a tangled undergrowth of briars, brambles, and furze, surrounded a wood called the Grambler Grove. Few persons liked to pass near this place, because strange noises were heard, and fires often seen within it by night, when no one would venture near the place.

Duffy waited up many hours after the servants had gone to bed, in great impatience for her husband’s return. Her fears and doubts increasing, she remained seated in the kitchen chimney-corner, attending to a pie on the hearth; that it might be kept hot for the Squire’s supper. It came into her head at times, as a kind of forlorn hope, that the crafty old witch might somehow get the Devil to take her husband instead of herself. About midnight, however, her uneasy musings were interrupted by the dogs rushing in, followed by Squire Lovell, who seemed like one distracted, by the way he’ capered about and talked in broken sentences, of which his wife could make neither head nor tail. Sometimes he would caper round the kitchen, singing snatches of a strange dancing-tune; then stop, try to recollect the rest, and dance till tired out. At last the Squire sat down and told his wife to bring him a flagon of cider. After draining it, he became more tranquil, and, when Duffy asked if he had caught a hare, he answered,

“I’ve seen queer sights to-night, and the damn’d hare—as fine a one as ever was chased—most in the dogs’ mouths all the while. We coursed her for miles, yet they couldn’t catch her at all.” Then he burst out singing;

“To-morrow, my fair lady,
You shall ride along with me,
Over land and over sea,
Through the air and far away!”

“O! the funny devil! How he tossed up his heels and tail when he danced and sang;

“‘To strange countries you shall go,
For never here can you know.’

“I’ve forgotten the rest,” said he, after a pause; “but give me supper, and fill the tankard again. Then I will begin at the beginning, and tell ’e all about the strange things I’ve seen to-night. I wish you had been there; it would have made ye laugh, though I havn’t seen ’e so much as smile for a long time. But give me supper, I tell thee again, and don’t stay gaping at me like a fool frightened! Then, and not before, I’ll tell thee all about our uncommon chase, and we will ride ‘Over land, and over sea, with the jolly devil, far away, far away!’”

Duffy placed a pie on the board and helped the Squire. After supper he came more to himself, and said,

“We hunted all the way down, both sides of the Bottom, from Trove to Lamorna without seeing a hare. It was then dark, but for the starlight: we turned to come home, and, up by Bosava, out popped a hare, from a brake of ferns close beside the water. She (the hare) took up the moors; we followed close after, through bogs, furze, and brambles, helter-skelter, amongst mire and water. For miles we chased her—the finest hare that ever was seen, most in the dogs’ mouths all the way, yet they couldn’t catch her at all. By the starlight we had her in sight all the way till far up the Bottom, between Trove and Boleigh; there we lost all sight and scent of her at last, but not till, tearing through brakes of brambles and thorns, we found ourselves in the Grambler Grove. And now,” continued he, after a pull from the flagon, “I know for certain that what old folks say is true—how witches meet the Devil there of summer’s nights. In winter they assemble in the Fuggo Hole, we all know; because one may then often hear the devil piping for their dance under our parlour floor—that’s right over the inner end of the Fuggo. And now I believe what we took for a hare was a witch that we chased into this haunted wood. Looking through the thickets I spied, on a bare spot, surrounded by old withered oaks, a glimmering flame rising through clouds of smoke. The dogs skulked back and stood around me like things scared. Getting nearer, and looking through an opening, I saw scores of women some old and ugly, others young and passable enow as far as looks go. Most of them were busy gathering withered ferns or dry sticks, to the fire. I noted, too, that other witches, if one might judge by their dress, were constantly arriving—flying in over the trees, some mounted on ragworts, brooms, ladles, furze-pikes, or anything they could get astride of. Others came on through the smoke as comfortable as you please, sitting on three-legged stools; and alighted by the fire, with their black cats on their laps. Many came in through the thickets like hares, made a spring through the flame, and came out of it as decent lasses as one might see in BuryanChurch of a holiday. A good large bonfire soon blazed up; then, by its light, I saw, a little way back sitting under a tree, who should ’e think? Why no less than old witch Bet, of the Mill. And by her side a strapping dark-faced fellow, that wasn’t bad looking and that one wouldn’t take to be a devil at all but for the company he was with, and the sight of his forked tail that just peeped out from under his coat-skirts. Every now and then Old Bet held to his mouth a black leather jack, much like ours, and the Devil seemed to like the liquor by the way he smacked his lips. Now said I to myself I don’t much dislike nor fear thee, devil or no, as thee art so honest as to drink hearty. So here’s to thee, wife!”

Duffy was very impatient, but took care not to interrupt the Squire. After draining the flagon, he continued to say;

“Faix, I should think the Devil got drunk at last by the way he capered when the witches, locked hand-in-hand, danced round the fire with him in their midst. They went round and round so fast one couldn’t follow their movements as Betty beat up on her crowd the old tune of

‘Here’s to the Devil, with his wooden spade and shovel,
Digging tin by the bushel, with his tail cocked up.’”

“Over a while Old Bet stopped playing; the Devil went up to her, drained the jack, took from her the crowd, and sang a dancing-tune I never heard before. The words, if I remember right were,

‘I have knit and spun for her
Three years to the day,
To-morrow she shall ride with me,
Over land and over sea,
Far away! Far away!
For she can never know
That my name is Tarraway!’”

“The witches then sung as a chorus,

‘By night and by day
We will dance and play,
With our noble captain -
Tarraway! Tarraway!’”

“I thought the words odd for a dancing-tune, but devils and witches do queer things.”

“The witches, locked hand-in-hand, danced madder and faster, pulled each other right through the fire, and they wern’t so much as singed, the bitches. They spun round and round so fast that at last, especially when the Devil joined in, my head got light. I wanted to dance with them and called out as I advanced, ‘Hurra! my merry Devil, and witches all!’ In an instant, quick as lightning, the music stopped, out went the fire, a blast of wind swept away umers (embers) and ashes, a cloud of dust and fire came in my eyes and nearly blinded me. When I again looked up they had all vanished. By good luck I found my way out of the wood and home. I’ll have another hunt to-morrow and hope for better luck.”

 

The full play can be read in the Cornish Witchcraft Archive. This and other Cornish folktales can be found at Sacred Texts

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New Edition Now Available

The all new second edition of Traditional Witchcraft – A Cornish Book of Ways has now been shipped to Troy Books’ private subscribers, and is now available to buy from Troy’s site.

The printers have done a wonderful job and I think the book is looking really rather dapper. The new illustrations have reproduced beautifully and the many photographic plates of Jane’s photography are looking fantastic. I’m very much looking forward to seeing the hardback edition now!

Thank you to Mike Howard for a wonderful review of the new edition on the Traditional Witchcraft Yahoo Group, a review will also be appearing  in The Cauldron.

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VILLAGE WITCH

It’s been a long time comming, but Cassandra Latham-Jones’ book; Village Witch, is now available to purchase from Troy Books.
I have enjoyed creating the line drawings for the interior illustrations, and a fronticepiece for this book, and am now looking forward to the release of the hardback. The paperback of Village Witch, featuring a stunning cover image by local artist Sarah Vivian, can be purchased now from Troy Books. Click here, or on the image below for details.

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Museum of Witchcraft 60th Anniversary & Book Launch


Yesterday, we enjoyed a visit up to Boscastle for the Museum of Witchcraft’s 60th anniversary celebration and book launch. It was wonderful to meet up with old friends in a gathering to celebrate such an extraordinary place that has been, and continues to be, so special, vital, inspiring, and influential to so many of us. One feeling expressed was how the museum itself is an entity; a feeling certainly shared by those present. It is not surprising of course that a repository for the physical manifestations of so many countless peoples’ magic should be seen to have a life of its own. Certainly, those who know and love the museum may often be heard speaking of the museum as an old friend – a kind of collective friend made up of the individual old familiar friends in the form of artefacts and museum staff both.

Having my copy of the museum’s book with me, it was wonderful to have it signed by some of the contributors, making my treasured keepsake of such a wonderful place (which also happens to be a fascinating read) all the more special. I hadn’t anticipated others asking me to sign their copies – I felt a little awkward desecrating such a beautiful book with my extremely untidy scrawl of a signature!

Copies of the book ‘The Museum of Witchcraft – A Magical History’ can be purchased here

Above is a photo from the day by Jane Cox of museum owner and curator Graham King giving a speech outside the museum. More photos from the celebration can be viewed here

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Strange Seas

The spring whitening of the land came this year with the addition of miles upon miles of plastic sheeting, blanketing the potato crop. The quiet was broken over a number of days as contractors descended, sometimes eleven tractors to a field, in a colossal, rumbling military style operation. The landscape of now sheeted fields surrounding the cottage took on a startling, alien quality, at times giving the appearance of a heavy snow covering, separated only by the contrasting blackthorn hedges, which later joined in the whitening, displaying a blossoming denser and more glorious than I can remember seeing for many a year. At other times, especially when walking the lane at dusk, the plastic sheeting took on the guise of strange silver seas, or haunting lakes, undulating serpent-like, glimpsed through the thorns. It seems strange to say that the eventual uncovering of the burgeoning crop presented just as startling a sudden transformation to the land; from white to luscious green. After a winter of withdrawal, and dormancy of the black and ploughed-brown land, one cannot help but marvel at the rapid transformations that occur outside the window, in the countryside, both at the hand of nature’s cycle and that of the farmer’s industry as the year brings the stirring, awakening, and release of all.

 The arrival of the May, the opening of Summer’s Gates, is a time of dramatic change; the emergence form our Winter slumber, our stirring with the Spring serpent, to be released anew in wild activity, potency, life, vision, and magic through the gates as they swing wide. Ros an Bucca marked the eve with the lighting of fires, dancing and leaping the broom betwixt the flames as the blood enflamed with the risen serpent, and visionary, oracular work empowered by the potent serpent’s breath so stirred.


With such times of transition and transformation, dark things can be stirred from the deep, and brought out into the manifest world, released for a time as the gate between the worlds swings open at May’s coming, just as it is so at Allentide. Thus it is not always entirely a time of the ‘Jolly Green Giant’. The outgoing dark tide may make itself known as a reminder, and this year, as the season brought awakening and stirred the blood with fire and vision, there were brought to the surface tears, pain, and dark fears, accompanied by thundering raging night skys. But of course, these vestiges of the dark, experienced and intensified by the raging of renewed May-tide activity, were highly cathartic in nature. As the storms cleared with the new moon, and the plump Hawthorn buds burst forth into blossom; all is renewed.

Let swing open the gates of summer!
By leaping hare and serpent fire,
By broom, by staff and cauldron pyre,
We conjure thee, we conjure thee, we conjure thee,
Oh white one, come!
So shall it be.

© Gemma Gary

Photo © Jane Cox

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Traditional Witchcraft – A Cornish Book of Ways

NOTICE FROM TROY BOOKS:
The first edition of Traditional Witchcraft – A Cornish Book of Ways, by Gemma Gary, is now out of print and sold out from Troy Books. It may still be possible to purchase remaining stock from outlets such as the Museum of Witchcraft, The Occult Art Company, and Sacred Earth.

Preparations are underway for a new, second edition of the book, with re-worked content and new imagery. Gemma is also busy working on other upcoming titles. For news of these and the new edition of Traditional Witchcraft – A Cornish Book of Ways; Join the Troy Books Mailing List.

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The Horned One and the Wayside Witch

Two books I have had the pleasure of contributing to are now available. The Museum of Witchcraft – A Magical History, is the eagerly awaited 60th anniversary book in which the museum of Witchcraft is celebrated with a collection of memories from contributors including Mike Howard, Professor Ronald Hutton, Patricia Crowther, Marian Green, Nigel G. Pearson, Mogg Morgan, Damh the Bard and Ralph Harvey.

In ‘The Wayside Witch’, my first memories and experiences of the Museum of Witchcraft are given, and have been complimented by photography of one of my favourite artefacts in the museum’s collection, and one of the items from my own working collection now housed in the museum.

Hoofprints in the Wildwood, by Richard Derkes, is a devotional anthology for the Horned God in all of his manifestations, and consists of devotional essays, poetry, artwork, and rituals from its contributors. The anthology includes my article ‘Bucca: The Horned God of the Cornish Tradition’, along with my devotional ritual call to Bucca and artwork. My Bucca-dedicated working shrine is photographed by Jane Cox.

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Museum of Witchcraft Video and Mandrake

A new promotional video for the Museum of Witchcraft in North Cornwall was launched at the recent ‘Friends of the Boscastle Museum of Witchcraft’ weekend. The film, which was created by Tom Chick & Flo Kennard, features many of the fascinating items within the museum’s collection, with recordings of the museum team speaking of witchcraft, magic and the museum. Also we hear Cassandra’s evocative reciting of spoken charms; recorded for the museum’s village wise-woman display; ‘Joan’s Cottage’.

As some of the Mandrakes from the museum’s collection are shown, which , as Graham says, ooze magic, I will add here pictures of one of my own Mandrakes (genuine Mandragora Officinalis), which is offered for sale.

To view the new video click on the image below. The images of the Mandrake will take you to a page with more information and pictures.

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Time for a Rest…

The waning year, it has seemed, has been a dark time for many in a number of ways here in Penwith, complete with anti Pagan hysteria and a modern day witch hunt! Some of us will be glad to see the back of it!

The subject for the Penwith Pagan Moot’s December meeting is the relationship Pagans have with the Christmas period. For many it is of course a time to descend into an orgy of commercialism; over spending on future landfill. However, in Penwith few of us have the finances, and do not have the facilities for such indulgence; thankfully enjoying a landscape free of enormous shopping centres. Most Pagans in Penwith (I would like to think) are aware of the older traditions of the season, onto which the Christian celebration of Christmas was grafted, and will be looking forward to their own ritual celebrations, hopefully incorporating some of our local Cornish Midwinter traditions, many of which may be folk-memory of celebrations from Pagan times (careful now Gemma; that’s a sensitive topic down here at the moment!). But aside from the climactic ritual celebration, how do we approach the period as a whole? Down here the traditional feasting, music and singing may still be found in many a pub, and a number of Cornish Montol (Midwinter) traditions can be partaken of at the Penzance festival that carries the same name. It may then be seen as a time of coming together with community and family for celebration and the creation of warmth and light in the face of darkness, harsh conditions and adversity.

That is one side of the coin, but I think the other is important yet often overlooked. Our existence is divided up into day and night, activity and rest. If we see Allantide as ‘going to bed’, then the midwinter period should be when we are in deep sleep. It could thus also be seen as a period of withdrawal, healing and contemplation. As we descend into the darkest point of the year, I for one intend to continue indulging in a winter of withdrawal, of tending the fire, of study and contemplation in anticipation of the exciting things the emergence of the Waxing year will bring. I have even enjoyed the isolation brought by the snow, as the long path to the cottage was made impassable by vehicle, eliminating the treat/threat of visitors! However, when the firewood ran out and the cottage grew so cold that my fingers wouldn’t work properly, the novelty wore off a little! Thankfully, our friend who supplies our wood braved the journey out to us and came to the rescue! As his car would most certainly get stuck in the snow that filed our lane, he had to stop by the barn at the top of it, and so we made use of plastic trays as sledges, pulling the wood all the way down the lane to the cottage. I thought I’d make use of Inky, our greyhound, tethering him to one of the trays but of course, greyhounds being one of the laziest of dogs, he refused to pull it!

Stocked up with wood, the cottage became a warm and comfortable place again from which to enjoy the winter. The snow is gone again now, for the time being, and I miss the beautiful views it brought to our windows. The Jays still come out of the wood to the garden to fly back with some of the food which we put out for the birds, much of which gets ‘hoovered’ up by the pheasant as he makes his daily visit!

Included are Jane’s photos of the view from the Cottage, and Inky not pulling logs.

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Penwith Pagan Moot Midwinter Solstice (Montol) Ritual

PENWITH PAGAN MIDWINTER SOLSTICE 2010 RITUAL

Sunday 19 December at 7.15pm. Boscawen Noon Farm

Yule, or the Midwinter Solstice, is the festival that celebrates the longest night of the year. This was the darkest moment of the year for our ancestors – not just literally, but when they drew together for comfort and strength as they faced the peril of the famine months to come, which for many could mean starvation.

For us, Yule generally means feasting rather than famine! – but it is still that moment when we draw together in the darkness, to draw strength from what we know in our hearts but cannot yet see with our eyes -  the rebirth of the sun king, and the return of the light. It is a joyous occasion as we celebrate the turning of the Wheel of the Year from the Dark towards the Light.

This year we will be holding our ritual in a new venue, (see below for directions).  This is a beautifully converted barn, warm and comfortable with wood-burner & sofas, kitchen and toilet facilities and disabled access.

Please wear festive colours of scarlet, green and gold, and bring food and drink for the feasting afterwards. There will be the usual £2 per person contribution towards expenses. Following our Moot tradition, we will be exchanging gifts and blessings, so please bring a small inexpensive, (£2 or less), or free, (made or found), gift-wrapped present.

The new venue is at Boscawen Noon farm, on the A30 Penzance to Land’s End road. Approx 1 mile after Catchall, look out for trees on your left as you go uphill, & look for the small turning on your left which will say Boscawen Noon farm and will be marked by gold streamers on poles. Continue on the farm track approx quarter of a mile until you reach the buildings and there you will be directed to either field or farmyard parking depending on the weather. There is some parking available directly outside the barn; if you have mobility needs, please contact one of the organisers. If it is wet or likely to be muddy, bring indoor shoes to change into. If possible, please consider the environment and car share.

This ritual will be entirely suitable for children and for elderly or disabled people.

Feel free to bring family or friends – everyone is welcome!

For further information, please contact:

Sarah 01736 787 522 vivianatfarwest@supanet.com
Eve 01736 793 905 meadowsweet1-@tiscali.co.uk
Dave 01736787 230 tarewaste@yahoo.co.uk

www.penwithpaganmoot.co.uk

Everybody Welcome!

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